Wants&Needs RSS

Upcoming dates:

March 31st & April 1st Andrew and Sasha present their work in progress choreographies as part of the 3rd Floor Project at Usine C, Sarah-Éve Grant, Jana Jevtovic and Jody Hegel will also be showing work. This is an informal showing that is free to the public. Call 514-521-4493 to reserve a seat.

May 3, Short & Sweet 8 As part of the FTA. We're calling this edition Strange Pairings, and we're asking choreographers to collaborate with someone outside of their usual artistic practice. It's going to be a fun night @ Quartier Général of the Festival TransAmériques. 175 President Kennedy ave. It's a free event!

Sasha and Andrew will be doing a presentation as part of the Canadian Centre for Dance Studies Conference that is taking place during the FTA. The theme is collaboration and they will be presenting a paper talking about the Wants&Needs dance events and their own collaborative practice.

Sasha Kleinplatz presents her new work Chorous two at the Guelph Contemporary Dance festivals. May 31 7 pm, June 2 12pm, June 3 12 pm @ Exhibition park.

Piss in the Pool 8. June 20, 22, 24 at a new venue - the Bain St. Mathieu. More details to come.

Archive

Jan
4th
Tue
permalink
Andrew Tay’s piece on Power and permission got a mention in the Dance year in review for the Montreal Mirror.  Dance critic Marites Carino writes : On a smaller scale, in October at Tangente, I saw an impressive duo by Andrew Tay and Natalie-Zoey Gauld that was part of Tay’s work On Power and Permission. In this mostly improvised duet, Gauld’s movements became dependent on Tay’s, to the point where they moved as a flowing unit and I wanted to see more. Read the full article entitled Body Rock by clicking here.

Andrew Tay’s piece on Power and permission got a mention in the Dance year in review for the Montreal Mirror.  Dance critic Marites Carino writes :

On a smaller scale, in October at Tangente, I saw an impressive duo by Andrew Tay and Natalie-Zoey Gauld that was part of Tay’s work On Power and Permission. In this mostly improvised duet, Gauld’s movements became dependent on Tay’s, to the point where they moved as a flowing unit and I wanted to see more.

Read the full article entitled Body Rock by clicking here.